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Exploring the complexities of life through a camera lens

Meet the artist

To celebrate their exhibition “of what might yet (have) be(en),” alum Lois Bielefeld will give an artist talk at 5:30 p.m. on Thursday, Oct. 9, in the University Gallery. A reception will be hosted from 4:30 to 7 p.m. on Oct. 9.

See event details

Lois Bielefeld ’02 (photographic illustration) finds inspiration in documenting domestic homelife, children’s tea parties, Sunday pasta lunches, and other personal moments. Capturing portraits from these unassuming scenes of everyday life comprises much of their portfolio.

“I want to understand why we do what we do and what motivates us. Not just for big decisions or actions, but for the mundane and minutia of life,” said Bielefeld. “I think it's those minuscule daily decisions that create a person and fleshes out who we are.”

Bielefeld, based in Milwaukee, Wis., is a senior photographer at Quad, a marketing experience company. After graduating from RIT, Bielefeld worked in New York City before moving back to Milwaukee in 2010. They have worked for commercial clients like Kohls, JCPenney, and Von Maur. In 2012, after solidifying their place in the world of commercial photography, Bielefeld began to lean back into personally meaningful projects.

One of those projects, “of what might yet (have) be(en),” is on display in RIT’s University Gallery through Oct. 19. The exhibition is a culmination of three of Bielefeld’s interrelated bodies of work centered on gender identity: of what might yet (have) be(en); Androgyny; and I bring you a piece of horizon. Bielefeld aims to prompt exhibition viewers to think critically about their views of gender and consider the importance of supporting and protecting transgender and gender nonconforming individuals.

“I believe that differences should be celebrated and embraced, but they are often feared,” they said. “One of my goals is that the person looking at my work will start reflecting on their own lives, and that it helps them understand other people’s experiences a little bit more.”

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Lois Bielefeld lays down in bed, staring off camera. They are laying on their side.

Lois Bielefeld

Lois Bielefeld stressed that she is not an expert in gender studies, but she wanted to listen and make space for people to share elements of their lived experience. Above is a portrait of Bielefeld from their House, Hold series from 2020.

In 2013 and 2014, Bielefeld photographed 57 individuals for the series Androgyny. While working on the series, Bielefeld met Avery, a second-grade student who self-identified as a tomboy. Bielefeld was struck by Avery’s confidence and self-assuredness, and they decided to document his and another student’s collaboration with their teacher to create a gender inclusivity unit for their class.

Creating that documentary video, titled Girl, Boy, Both, prompted Bielefeld to continue working with Avery for a new series, I bring you a piece of horizon, where Avery is photographed and interviewed every year on his birthday. This year marked Avery’s 19th birthday and the 12th portrait in the series.

To create “of what might yet (have) be(en),” Bielefeld reconnected with the people they photographed for Androgyny, as well as five current RIT students, to take new portraits. The exhibition features a selection of portraits, short films, and immersive audio recordings, and it is the first time I bring you a piece of horizon has been shown in a public gallery.

Exhibiting at their alma mater was a full-circle opportunity for Bielefeld because of the impact RIT had on their life.

“My daughter was born in Rochester and when I became a mom, RIT supported me through that,” said Bielefeld. “It felt right to bring this work to campus.”

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two people in a split image

Lois Bielefeld

Two portraits included in the “of what might yet (have) be(en)” exhibition. On the left is a portrait of Cam taken in 2025. On the right is a portrait of Valentine taken in 2025.

RIT Photo House, supportive and passionate faculty members like Denis Defibaugh and Allen Vogel, and the “immense and immersive” photography culture also contributed to Bielefeld’s fond memories of RIT.

Bielefeld said many highlights of their career stemmed from their personal artistic practice. In 2015, Bielefeld was named the first winner of Museum of Wisconsin Art’s Artist-in-Residence Program and spent three months living and creating art in Luxembourg. In 2023, the Los Angeles County Museum of Art (LACMA) accessioned 10 photographs and three video works by Bielefeld into its permanent collection.

The biggest “mega-moment” of their career, Bielefeld said, involved a deeply personal series titled To commit to memory. The work focused on their parents’ relationship with their home and everyday life and explored how religion added a “simmering intensity” and “chasm of ideological difference” to their family dynamic.

Thank you Jesus, for what you are going to do, a video from the series, was selected for The National Portrait Gallery’s triennial Outwin Boochever Portrait Competition in 2022. The “mega-moment,” Bielefeld said, was having their mom and daughter watch the video work together in the National Portrait Gallery.

To see more of Bielefeld’s work, go to their portfolio website. Go to the University Gallery website and opening reception event page for more information about the exhibition and artist talk on Oct. 9.

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