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RIT faculty member and students create peace art installation at Woodstock site

The rolling Bethel Woods hills that once hosted the iconic 1969 Woodstock music festival now holds a new architectural tribute to peace. The Peace Pavilion, designed and built with the leadership of RIT architecture Professor Amanda Reis, invites visitors to pause, reflect, and immerse themselves in the legacy of a site that continues to symbolize cultural change.

Reis, in her second year as a faculty member in the Golisano Institute for Sustainability’s Department of Architecture, partnered with longtime collaborator Eduardo Aquino of the University of Manitoba to submit a proposal to BuildFest 2: Peace Rises, a part of the Bethel Woods Art & Architecture Festival. The event, held Sept. 10-14, called on university professors to create “peace structures” of varying scales. Their submission, entered under their research and design practice AREA, was selected for the largest commission.

“It was a real honor to be selected,” Reis said. “We saw it as an opportunity to combine design innovation with sustainability and to involve students in a transformative learning experience.”

Set against the backdrop of Filippini Pond and an adjoining forest, the pavilion occupies an Instagram-worthy location on the Bethel Woods grounds. The pavilion’s form was inspired by the yin-yang symbol, a representation of interconnected opposites and balance. Reis and Aquino reinterpreted it into a cubic structure that offers a cocoon-like feel, while also offering spectacular views.

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A group stands in a wooded area in front of a small stucture.

Youngjin Yi

RIT architecture students gained hands-on experience assembling prefabricated panels for the Peace Pavilion.

Those visiting the structure will step into a light-filled space whose walls are inscribed with phrases curated from poetry, literature, and music. Some lyrics also come directly from Woodstock-era artists, a connection to the area’s past.

Western Red Cedar was chosen as the primary material because of its beauty and resilience. The material strengthens over time, meaning the Peace Pavilion could endure for years.

“Many of the BuildFest structures are temporary, but we wanted to increase the longevity of the Peace Pavilion,” Reis said. “The material gives it that possibility.”

Reis emphasized that the project’s success was the result of many minds. While Reis and Aquino established the design, the project became a hands-on experience for RIT architecture students. The project served as an early design-build exercise for Reis’s Architecture Studio course, a master’s architectural design class that typically emphasizes theoretical projects. The Peace Pavilion offered the students a rare chance to see ideas translated into reality.

The student team included Noah Baldon, Maddy Bortle, Anna-Leigha Clarke, Ryan Denberg, Sydney Fox, Gabriela Hernandez, Gil Merod, Mackendra Nobes, Julia Resnick, and Youngjin Yi.

“The collaboration exposed students to the full cycle of design-build, from concept to construction,” Aquino said. “They encountered unexpected challenges and learned how to improvise solutions during installation, which is where the deepest learning often happens.”

In addition to the student team, staff from the SHED—Michael Buffalin, Jim Heaney, and Chris Vorndran—played a key role in fabricating the engraved cedar boards, before it made the four-hour trek to the Catskills. Ralph Gutierrez, an architectural intern, also contributed to the design development, while Yi captured photography throughout the process.

“All of the dimensional wood was fabricated at 10-foot lengths to minimize waste, and the design required tight tolerances that pushed us to be meticulous during assembly,” Aquino said. “Those details emphasized the balance between sustainability and craftsmanship.”

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An inside view of a wooden structure.

Youngjin Yi

Inside the Peace Pavilion, engraved phrases line the cedar walls, which include lyrics from popular Woodstock performers.

During the build, Reis mentioned that a couple who had attended Woodstock stopped by in their original festival T-shirts, eager to step inside the new structure. The pavilion offers potential for several outdoor activities.

“I can imagine people reading, meditating, or just waiting for friends to finish kayaking or swimming nearby,” Reis said. “As architects, we can anticipate some uses, but the most exciting thing is what we can’t predict.”

Fox, an architecture graduate student from southern Maine, said the entire process taught her important lessons.

“I see architecture as a tool that can bring people together, communicate ideas and stories, and challenge the status quo,” said Fox. “Building this Peace Pavilion with others helped me see the power of collective effort and how creating something together can forge meaningful bonds between people, giving a project even more significance beyond its final result.”

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