Experimental animators bring new dimension to musical performance
Animation is most often viewed on a screen. But when animators break traditional rules and abandon the “almighty rectangle,” Christine Banna says artistic magic can happen.
See the concert
The next performance of “The Hundred Windows” is on Monday, Sept. 15, at 6 p.m. at the JCC Hart Theater as part of the ESL Rochester Fringe Festival. Get your tickets on the Mount Hope World Singers website.
Banna, assistant professor in RIT’s School of Film and Animation, encourages her students to explore experimental animation techniques. Recently, Banna and two students leaned into this outside-the-box approach to the craft for “The Hundred Windows,” a choral performance curated in collaboration with the Mount Hope World Singers and Composer and Sound Designer Logan Barrett.
“Opening students’ eyes to a more experimental way of working—showing them how to break the rules they’ve learned—is enriching. They can discover more about the creative process,” said Banna. “Most filmmaking is product-driven and focused on that final export of the film. But with experimental work, sometimes the product is an afterthought and the process itself is the real artwork.”
“The Hundred Windows” is an immersive, multidisciplinary exploration of the senses featuring 12 choral works from around the globe, a quadraphonic electronic soundscape, and projected animations. Both the soundscape and animated projections are live-mixed, making each performance unique.
The show premiered in June 2025 and was performed at RIT twice this month. The next performance is on Sept. 15 as part of the ESL Rochester Fringe Festival.
Banna was the lead projection designer, animator, and VJ for the show. Bathschèba Duronvil, a third-year film and animation graduate student, and Katelyn Park ’25 (film and animation) worked as Banna’s assistant projection design interns.
Their goal was to create an immersive, sensory-rich experience that paralleled the emotional arc of the music and reinforced the symbolic sensory experiences embodied by each song. Each animation was handcrafted using watercolor and collage techniques that were digitally manipulated to introduce “glitching” throughout the course of the concert.
Jackie McGriff
From left, Katelyn Park ’25, Christine Banna, and Bathschèba Duronvil pose for a photo on the stage set for “The Hundred Windows.”
Duronvil and Park helped Banna determine what colors, shapes, and visual movement would best reflect each song, and assisted with creating the physical and digital animation assets. During the performances, they helped Banna with live mixing, guiding her based on written and improvisational musical cues.
As Duronvil looks toward crafting their senior thesis film this year—for which they aim to collaborate with Ghanaian artists and musicians—working on “The Hundred Windows” offered insight on how to nurture a respectful, collaborative environment.
“I have never worked with such a well-established singing group before, but my fear quickly dissipated when I reminded myself that an internship is all about learning new skills,” said Duronvil, from Portland, Ore. “I’ve learned a lot of valuable lessons through this internship and just by watching Christine as a professor.”
Park said she was delighted to work alongside one of her mentors, who she met during her first year at RIT, on this project.
“Christine has shown me that some of the most wonderful, spontaneous, and creatively liberating ideas come from chaos—from embracing the things we’re most scared of and taking that leap of faith. I saw this project as a wonderful opportunity to continue to learn from how she brings her experimental practices to collaborative projects,” said Park.
She added that this project was also an opportunity to take her learning off campus. Engaging with the local artistic community was an inspiring reminder of the power that art can hold.
“This has shown me that it’s possible to create the kind of art I feel most fulfilled creating in a way that deeply and directly touches the community around me,” she said. “To see these artists practicing their craft so passionately just a bus ride away from my house made me feel more connected to Rochester than I’ve ever been.”
Christine Banna
Katelyn Park, left, and Bathschèba Duronvil, right, sit in Christine Banna’s studio, using custom gear to digitally alter the watercolor animations created for the show.
Annika Bentley, artistic director of the Mount Hope World Singers and creative director of “The Hundred Windows,” said the show is inspired by the umwelt, a term coined by biologist Jakob von Uexküll, and An Immense World, a non-fiction work by Ed Yong that examines animal senses.
An umwelt is the specific way in which organisms of a particular species perceive and experience the world, shaped by the capabilities of their sensory organs and perceptual systems. Bentley said pairing this term with the themes from Yong’s book made for a fascinating exploration of how humans view each other and the world, and how those perceptions impact the way we interact and connect with others.
“The Hundred Windows” marks Bentley and Banna’s second collaboration, the first being for a performance titled Stories From the Living Tree.
“Christine and I are very sympathetic in our artistic attitude. I think that her work allows us to explore and expand on the songs in a more creatively free way,” she said. “It lets the audience access the larger ideas of the performance on a more profound level.”
Barrett echoed Bentley’s positive view on the collaboration.
“Annika's artistic direction was both open-ended enough to inspire ideas, and specific enough to challenge me and push me to places I couldn't have thought of otherwise,” he said. “Toward the end of our process, Christine and I were surprised to find that our individual methods lead us to very similar interpretations of the subject matter and the music.”
For more information and to get tickets to the upcoming performance, go to the Mount Hope World Singers website. Go to the School of Film and Animation webpage for more information about RIT’s animation programs.
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- RIT, partners named finalist for funding to bolster region’s laser expertiseA Rochester and Finger Lakes region coalition that includes researchers from RIT has been named a finalist for the National Science Foundation’s Regional Innovation Engines (NSF Engines) program. The team’s project, Science, Technology and Engineering of Laser and Laser Applications Research (STELLAR), aims to progress the region as a national leader in laser technologies, education, company creation, manufacturing, and workforce development. STELLAR is one of 15 finalists from nearly 300 letters of intent received by the NSF. STELLAR is led by the University of Rochester and also includes team members from Monroe Community College, Nextcorps, Luminate, Greater Rochester Enterprise, AmeriCOM, and New York State. RIT’s contingent is led by Stefan Preble, the Bausch and Lomb Professor in Microsystems Engineering. Co-principal investigators are Linda Bryant, director of the National Technical Institute for the Deaf’s Learning Consortium and Online Learning Initiatives, Seth Hubbard, head of the School of Physics and Astronomy, and Jie Qiao, associate professor in the Chester F. Carlson Center for Imaging Science. “We are excited to be part of the STELLAR team to drive the next wave of innovation in lasers and their applications by building on Rochester’s and RIT’s leadership in optics, photonics, imaging, semiconductor, and microelectronic research and education,” said Preble. “Together with our partners, we will advance laser technologies and develop a highly skilled workforce to ensure our region remains a global leader in optics, photonics, and laser-enabled solutions." After the NSF conducts in-depth, in-person interviews with the finalist teams to further assess risks, resources, and adaptability, awardees will be announced in early 2026. If funded, STELLAR will develop a manufacturing ecosystem for lasers, provide critical research and development support for growing companies, and help teachers from middle school through all levels of college develop curricula to help students learn skilled trades in laser systems. The Rochester region is already well known for its storied and robust history in optics, photonics, imaging, and laser companies and suppliers. Lasers are essential in a wide range of fields, including manufacturing, communications, inspection, environment sensing, defense, and security systems. More information on the award and finalists is available on the NSF Engines website.
- Student designs hit the factory floor at Autodesk UniversityWhat started as a concept for the School of Design’s annual T-Minus challenge has made a splash at Autodesk University 2025. The Autodesk MultiMeasure, created by RIT industrial design students in collaboration with Autodesk, was the Factory Experience product chosen for the global software and technology company’s annual conference. Autodesk University invited professionals from across the globe to come together to share ideas, advance industry practices, and explore opportunities for the future. Attendees span a wide breadth of industries, including architecture, engineering, construction and operations, product design, manufacturing, and media and entertainment. This year, the conference welcomed 11,000 attendees. The Factory Experience is where attendees gained hands-on experience with the concept-to-production process using Autodesk Fusion, the company’s artificial intelligence-powered industry cloud for manufacturing. RIT’s partnership with Autodesk goes back more than 12 years, according to Alex Lobos, director of the School of Design. Lobos said the partnership enhances student learning opportunities and gives faculty insight into what skills will help students flourish in successful careers after graduation. “Watching our students work together with Autodesk to develop this product from an early concept all the way to manufacturing is a unique experience. This type of collaboration with industry partners hardly ever happens to that level of detail and execution,” he said. Lobos added that the partnership “goes beyond free software and trainings.” Autodesk representatives come to campus often, offer students opportunities to work on sponsored projects, and support design courses. The Autodesk MultiMeasure tool was developed through one of those course collaborations. “It’s been an honor to host RIT students and showcase their design work at our largest customer event of the year,” said Mary Hope McQuiston, Autodesk’s vice president of education. “Autodesk University is our opportunity to demonstrate to more than 10,000 customers what our technology can achieve, but it’s also a moment for us to spotlight what’s possible when industry and academia come together to equip students with the skills, experiences, and confidence to excel in the workforce. We’re proud to have partnered with RIT students and educators on this Factory experience that celebrates the promise of tomorrow’s design and make innovators.”Kelly Sorensen Attendees of Autodesk University assembled the Autodesk MultiMeasure, designed by RIT industrial design students, as part of the conference’s Factory Experience. The experience is a highlight of the annual conference. The Autodesk MultiMeasure is a compact, hand-held device that combines a rotating arm with integrated distance and color sensors, a rotary encoder, and an LCD display for real-time measurement and feedback. The design highlights precision, versatility, and ease of use for applications such as measurement, color matching, and angle detection that design professionals may need while out on the field. Following the T-Minus challenge in January 2023, a few top designs were selected to be prototyped in Assistant Professor Juan Noguera’s experimental studio course. Students in the course were split into teams, and each team was tasked with prototyping the designs. The MultiMeasure tool was refined over the course of two semesters, with many student hands influencing the design along the way. Once the final design was perfected, the Autodesk team finalized and manufactured the product. “The students were really driven by the idea that their designs could be manufactured, and I think it showed in the quality of their work,” said Noguera. “Seeing everyone come together for this opportunity and event that was promised to them years ago is very exciting.” Agneya Kulkarni, a fourth-year industrial design student from Mumbai, India, took the experimental studio in the fall of 2024. After completing an internship with Autodesk prior to taking the course, the opportunity to continue working with a real industry partner, and to learn from Noguera’s mentorship, inspired him to enroll. “During the class, Juan went through a lot of his own experiences working with clients, including how he tackled problems and when and how to present certain information,” said Kulkarni. “All of this information was super valuable. We couldn’t have had a better teacher for this because of the abundance of experience and knowledge he shared with us.” Ethan Solodukhin, a fourth-year industrial design major from Westchester, N.Y., has sought out experiential learning opportunities outside of his required coursework since his first year at RIT. This experimental studio was the perfect opportunity to combine in-class learning with real-world project parameters. In addition to his participation in the course, Solodukhin is an Autodesk student ambassador. This position paved the way for one of his original designs, the Revo chair, to be showcased by Autodesk at different industry events, dramatically increasing his visibility as a designer. “Autodesk opened so many doors that allowed me to add work to my resume and portfolio,” said Solodukhin. “The opportunity to have my work linked to a multi-billion-dollar corporation shines in the eyes of potential employers and other people in the design industry. It’s great exposure.” Todd Jokl, dean of the College of Art and Design, echoed the praise for the experience and exposure students gain through working with a company like Autodesk. “This collaboration with Autodesk is a great example of technology, the arts, and design converging with successful outcomes,” said Jokl. “Our faculty members and leaders in the School of Design prioritize these experiential learning opportunities, and the willingness to partner with our students speaks to the respect the industry has for our faculty.” The Autodesk MultiMeasure was officially launched during Autodesk University 2025, hosted Sept. 16-18 in Nashville, Tenn. For more information about the tool, go to the Autodesk website. Go to the School of Design website for more information about RIT’s design programs.
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