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Studio 930 students create assistive solutions for real-world challenges

Give teams of RIT students a design challenge, a 10-week deadline, and real clients in need of practical solutions, and they will rise to the occasion.

Now in its 10th year, the interdisciplinary and collaborative Studio 930 program asks students to apply what they know, learn what they don’t, and design products that make life, or a single task, more efficient and accessible.

Four teams presented their design solutions to clients from the Al Sigl Community of Agencies and Rochester Regional Health on July 16 in the SHED’s Brooks H. Brower Maker Showcase.

Students working with the Al Sigl Community of Agencies designed:

  • “Snuggo,” a wearable sensory toy/vest fashioned as a stingray to help calm children with autism spectrum disorder; and
  • A freestanding, interactive play system to promote motor development skills.

Teams assigned to Rochester Regional Health focused on projects to improve workflow obstacles identified by nurses and physical therapists in the health system. Their solutions included:

  • A sturdy, but lightweight, medical bag with multiple compartments and a table to assist visiting home care nurses and physical therapists; and
  • A mechanical bandage dispenser that opens the wrapper while keeping the gauze sterile—a task made difficult while wearing protective gloves.

“Snuggo” team member Varun Varma, an MFA industrial design student from Mumbai, India, learned about bringing a concept to life.

“It was really new to me because working with soft toys is something that requires a lot of sewing and using fabrics,” he said. “I’m used to conceptual projects, but this was manufacturing something physical, so that was very new to me, and I enjoyed it.”

Noam Arenstein, a fourth-year mechatronics engineering technology major from Scarsdale, N.Y., applied to Studio 930 for the experience of working on a multidisciplinary team in preparation for entering the workforce. Later, he learned he could earn co-op credit from participating in the program, as well.  

Studio930 introduced Arenstein to the process of design thinking and prioritizing the needs and perspectives of the end user and other stakeholders.

“I’ve never worked on a product that is tailored to other people’s concerns,” Arenstein said. “One of the new experiences for me was including empathy when it comes to design.”

Supported this summer by the School of Individualized Study (SOIS), Studio 930 has its roots in the industrial design department. Stan Rickel, associate professor in the School of Design, started the program in 2015 to give industrial design MFA graduates client-driven work experience. When a couple of engineering students heard about the idea and joined the group, Rickels saw how Studio 930 could expand.

“The enthusiasm of the students kept it moving,” Rickel said. “This year, we had 15 students in the program from five different colleges and eight different academic programs.”

The collaborative, client-based program also draws like-minded RIT professors whose interests complement and sometimes overlap. Engineering professor Dan Phillips, for instance, helps recruit students and elicit college support. He also solicits and assesses challenges from participating community partners.

The bandage dispenser designed for Rochester Regional Health is one example of students brainstorming concepts with advice and feedback from the client, a strategic partner in the RIT-RRH Alliance.

Studio 930 is both a program and a community that revolves around collaborative and interdisciplinary teamwork focused on accessibility and healthcare, according to Dan Harel, the studio’s manager and adjunct professor of industrial design.

Studio 930 operates from the SHED, giving students easy access to makerspaces, materials, and meeting rooms. The facility, which opened in 2023, provides a common space for the Studio 930 teams, which, in the past, had been scattered in workshops across campus. Offering the program in the SHED has made a difference in the quality of the students’ projects, Harel said. “You get bigger ideas when you have the room to spread out and play with different processes.”

Proximity to different technology, from textiles to 3D printing, in one facility encourages creative thinking, he said.

“We were able to generate more and quicker prototypes using materials that are available here, or that we purchased, and everything went faster,” Harel said. “The students were really inspired by the open environment and interactions with visitors. You know, people come and see what you’re working on, and it’s really encouraging to students.”

Along with SOIS, Studio 930 was sponsored by the industrial design department within the College of Art and Design, the College of Engineering Technology, the Kate Gleason College of Engineering, and the Waldron Rise Foundation.

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